It Has To Be Me Episode

DIRECTING AUDIOBOOKS
Storytelling from the inside out

Paula Parker

Episode #85: December 18th, 2025

THE GOLD FROM THIS EPISODE

“Great actors want to be ridden like stallions. They want to be directed. There's nothing better than working with a willing actor, and turning their talent into gold.” 

Paula Parker

Director and Actor

“The audience is right beside you, and if you don’t consider them as an actor, you are losing half of the dynamism of your performance.”

Paula Parker

Director and Actor

“Narrating audiobooks is an intimate form of storytelling—the listener is right across from you. If a narrator is being too big, it’s because they’re not connected or have not considered who they’re speaking to.”

Paula Parker

Director and Actor

“You take the breath, you don’t break it, or it takes the listener out of the moment. As an actor, take the time to breathe, and your listener will breathe with you. Your listener does what you do.”

Paula Parker

Director and Actor

“Life is hard, but it's also easy. And portraying life is hard, but it's also easy if you just let what's happening in the scene happen. A lot of philosophers say there is no truth, but I don't agree.”

Paula Parker

Director and Actor

“Listening to audiobooks is like going out with somebody. You know if you want a second date with the narrator.”

Paula Parker

Director and Actor

in THIS EPISODE

  • Why is it that some audiobooks have you on the edge of your seat, believing you’re living inside the story, while others leave you out in the cold? Paula Parker—Grammy-winning director—breaks down the art of narration.   

  • We start with her own story. From singing and collecting quarters and performing in bus-and-truck shows as a child, to acting in professional theater in Chicago and New York and doing voiceovers for commercials, animated series, books, and films.

  • When their work in audio took off, Paula and her husband, Paul Alan Ruben, founded their company, producing hundreds of titles with the major US publishers. Her keen ear for casting the right actor for the job took Paula to directing the full story with high-profile narrators and celebrities.

  • She walks us through techniques for connecting performers with the emotional truth of the story, and the thrill of working with actors who relish collaborative discovery, along with the challenges of dealing with actors who don’t. She also covers directing authors—non-actors—when they narrate audio editions of their works.

  • For actors: We dive into the intimate nature of audiobook performance, and the importance of developing a relationship with the listener. From there, we get into the importance of imagination, vulnerability, and breath, the impact of speed, and the value of honoring punctuation.

  • For listeners: Paula compares audiobooks to dating. You know if you want a second one with the narrator. When you do, don’t be in a hurry to get it over with—listen at natural speed.

  • Paula says great actors are like champion stallions and take the listener on the ride.

TESS'S TAKEAWAYS

  • Audiobook narration is an intimate form of storytelling more aligned with film than stage. 

  • Great narration is not about vocal tricks and “oral interp,” it’s about great acting.

  • For a book to come to life, the narrator must develop a relationship with the listener.

  • The best experience is when the narrator and listener breathe together.

  • Narrators: Your booth is a sanctuary. Bring your vulnerability in to tell the story.

  • The truth of the story is not just in the words spoken, but the emotions underneath.

  • Listen to an audiobook at 1.5x or 2x the speed, and you miss the full experience.

  • Coat-check your ego, and be a willing participant in the collaborative process.

ABOUT PAULA

Paula Parker has produced and directed hundreds of audiobooks for major US publishers over 25-plus years and delivered numerous award-winning titles.

Highlights include the recording of Neil Gaiman’s American Gods—10th-Anniversary Edition,  Audiobook of the Year for Brimstone with Rene Auberjonois, and a Grammy for Always Looking Up with Michael J. Fox.

Before directing audiobooks, Paula worked as an actor, first in Chicago then in New York at the Public Theater and off Broadway, and in diverse regional productions. As a voice actor, she dubbed films, worked in commercials, and played characters in animated series.  

With a passion for teaching, Paula trained actors at the American Academy of Dramatic Arts and the Neighborhood Playhouse, and moved on to coaching actors from film, Broadway and other New York theater, in narration. 

She lives in Brooklyn with her husband and fellow audiobook director, Paul Alan Ruben.

CONNECT WITH PAULA